strang steel wrote:Please, Flamingo and Smierski, dont get me wrong. I am not trying to belittle the efforts that thousands are putting into preserved railways. I am just trying to make an alternative point, maybe Devils Advocate if you like, from a more 'anorak' viewpoint.
Absolutely fair enough John - I don't think anyone particularly minds that, I must confess I have enjoyed for the most part writing in this thread.
But, if as you say the average enthusiast comes armed with a very expensive camera and behaves selfishly, while contributing virtually nothing to the society coffers; then my ideas seem to be based on a fallacy that the wealthy retired are prepared to dig deep in order to see a more realistic railway scene. (And I dont mean Galas, which to me are a different event entirely).
The problem is two fold, and I see it all the time. Many photographers are just line siders. They don't actually stop in on the railway itself to take a photo, they turn up in a field and take a few photographs. I have absolutely no truck with that. It is a free country to certain extents, and we certainly do not own any rights on the taking of photographs on our tracks. However there are those who are also very vocal about what preserved railways should do, while offering nothing in return.
This isn't a minority of photographers, in my opinion, though I am happy to admit I do not have statistics to prove that point, it is simply my observation of the many photographers who line the GCR year after year, and also comment in the press to some extent about how preserved railways should do business.
I should point out that there are people who do stop in, buy a cup of tea, or drop a few coppers through the slot in the charity boxes, and suggest improvements to the railway, and I have no truck with them at all. It's just a shame that the stereotypical man with a camera still manifests itself, grumpily, next to the railway rather than on it.
Maybe I have been given the wrong impression by all the reports in the heritage press concerning new builds of locomotive classes that have no representative in preservation. Maybe money is much tighter in preserved railway circles than these projects imply.
Actually, I feel the money is there but preserved railways don't try hard enough to get it - nor do they do the right sort of fund-raising. If anything, the success of Tornado amongst other new-build projects (the G5, Beachy Head, and similar) is in their business blueprint.
They are inherently more successful through their covenanting schemes than simply asking for one-off donations, and I feel this is something that could be applied successfully to the heritage movement as a whole. It's not a question of there being less money in disposable income, I feel it's more to do with how much over such and such period of time is built up, and having covenants in this way has gone some way to making the new build projects financially viable.
But it does depend on the project and how attractive you make it to someone you hope will donate money on a regular, nigh on guaranteed basis.
In that respect, this thread isn't wholly off-topic. Without the support of her covenator's money, Tornado's repairs and continued service on the mainline would be in doubt, financially.